![]() Amid the relatively slick surfaces and disjointed spatial elements in the compositions of these artists, the aggressively gestural painting and allegorical quality of Colescott’s 1981 The Three Graces: Art, Sex, and Death (now in the collection of the Whitney Museum of Art) stood out like the proverbial sore thumb. In the 2017 exhibition Fast Forward: Painting from the 1980s, organized from the collection of the Whitney Museum of American Art, curators Jane Panetta and Melissa Lang installed the work of Robert Colescott alongside that of David Salle, Sherrie Levine, and Julian Schnabel. ![]() ![]() Colescott in the 1980s and '90s: Stranger in a Strange Land
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